Denis Mwaura is a curator and writer based in Chicago. He is currently the Assistant Director at Gallery 400, UIC. Exhibitions and public programs his curatorial research has supported include, A Species of Theft (2022) and Young, Gifted and Black: The Lumpkin-Boccuzzi Family Collection of Contemporary Art at Gallery 400; Malangatana: Mozambique Modern (2020), Naughty Nymphs in the Courtyard of the Favorites (2022), Igshaan Adams: Desire Lines (2022) at the Art Institute of Chicago; Wong Ping: Digital Fables (2021) and Madeleine Hunt-Ehrlich: Speculative Archives (2021) at Conversations at the Edge. His writings on artists including Kapwani Kiwanga, Daniela Rivera, and Senzeni Marasela appear in the Boston Art Review and Africanah.
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Denis Mwaura
Denis Mwaura
By This Author
Issue 03 • Apr 02, 2019
Kapwani Kiwanga: Surveillance and the Limits of Recognition at The MIT List
Review by Denis Mwaura
Online • Nov 05, 2018
Sensuous Experiences with Art on The Margins: American Outsider Art at Tufts University
Review by Denis Mwaura