At RISD, “Variance: Making, Unmaking, and Remaking Disability” Turns a Lens to Visibility and Care

Review by Matthew Lawrence

Soyoung L. Kim’s GHOST ROOTS Reimagines an Ancient Korean Dance for the Screen

Feature by Elisa Rowe

The New Public Art Projects That Are Keeping Us Outdoors

Our Picks by BAR Editorial

Issue 8 • 08/09/2022

Home Truths: Sheida Soleimani’s Trenchant Tableaus

Feature by Dr. Jordan Amirkhani

At MAAM, “Designing Motherhood” Delves Into the Universal yet Deeply Personal Experience of Birth

Review by Jacqueline Houton

Uncharted Territories: A New Look at Landscapes

Review by Jessica Shearer

Behind the Scenes of Boston Ujima’s Black Portals Party

Interview by Jameson Johnson

Self-Emancipated: Ifé Franklin in Conversation with Chenoa Baker

Interview by Chenoa Baker

Issue 8 • 06/06/2022

Face to Face: Napoleon Jones-Henderson & Chanel Thervil

Conversation with Introduction by Dell Marie Hamilton

Fungal Threads: Minga Opazo’s Biodegradable Textile and Mushroom Sculptures

Interview by Haley Clouser

Issue 07 • 03/06/2022

It’s My Infinite Indigenous Queer Love: In Conversation with Jeffrey Gibson

Interview by Mary McNeil

Boston Ujima Project’s Ashe Ashe Cultural Assembly is Building a Collaborative Arts Economy

Interview by BAR Editorial

Recording and Resources: The Future of Boston’s Public Art

In Conversation with the Co-Founders of Spaceus

In the studio with Paige Mulhern at Best Bees

Worries Deconstructed: In Conversation with Caitlin and Misha

In Conversation: Juan Obando on “Full Collabs”

In Conversation: Creighton Baxter at CASTLEDRONE